Modified double skinned press moulded bowl, thrown and turned base, vitreous white slip, oxide and underglaze colour. Ironstone. One of a series. 1987. Shown at Hastings Museum and Art Gallery. Private collection.

One of a series. Modified press moulded ironstone, vitreous white slip and oxide. Based upon drawings made at Birling Gap and Cuckmere Haven incorporating elements of ancient/prehistoric/neolithic landscape. 1991. Shown at Hastings Museum and Art Gallery. Private collection.

Coiled ironstone with painted iron, copper and cobalt oxide and vitreous white slip. Inspired by the Cuckmere valley, the profile of neolithic knapped flint tools, and the ancient and mysterious 'celtic' stones at Margam Abbey Museum, Skellig Michael, and elsewhere. Interior glazed with earthenware transparent green lead glaze(a reference to the traditional lead glaze used by Sussex/country potters). Shown at Rye Art Gallery. 2001. Private collection.

Press moulded, thrown and modified ironstone, coloured vitreous slip, oxide, underglaze colour and red earthenware glaze. One of a series. 1988. A homage to Miro. Shown at Hastings Museum and Art Gallery. Private collection.

Hammock moulded and slab coiled ceramic. Surface painted with vitreous yellow slip/engobe, oxide, underglaze stain and pencil. Based upon drawings made on the South Downs and in Romney Marsh. Originally made for the Arts in Romney marsh festival 2013. Diameter approx 46cm. Private collection

Hammock moulded and slab/coiled ironstone with applied vitreous yellow slip, oxide, glaze stain, underglaze and underglaze pencil. Made for the Arts in Romney Marsh festival 2013. Private collection

Alastair Knights and Ann Marie Ward. Pinch coiled bottle forms, ironstone and porcelain, some with painted vitreous slip. 2013. Private collection.

Hammock moulded and slab/coiled ironstone with applied vitreous white slip, oxide, glaze stain, underglaze and underglaze pencil. 2013. Private collection

Hammock moulded and slab/coiled ironstone with applied vitreous white slip, oxide, glaze stain, underglaze and underglaze pencil. Shown in the Arts in Romney Marsh festival 2013. 2013. Private collection.

Hammock moulded and slab/coiled ironstone with applied vitreous white slip, oxide, glaze stain, underglaze and underglaze pencil. Shown in the Arts in Romney Marsh festival 2013. Private collection

Hammock moulded and slab/coiled ironstone with applied vitreous white slip, oxide, glaze stain, underglaze stain and underglaze pencil. 2012. Private collection

Wall-piece. Slab-built ceramic with applied vitreous white slip, oxide and stain(backing and shelf), red metal tin can, copper spikes, and pop rivets and yellow plastic paint-brush. Made for an exhibition of pieces inspired by 'childhood memories'. 2012

Coil built stoneware 'moon' jar. Interior glazed with celadon type 'crawl' glaze and tenmoku red exterior. The product of several 'asteroid jars' and a new take on the proverbial moon jar. Private collection.

Pinched ironstone 'cups' each balancing on a rounded base with applied, painted stained vitreous slip. The series varies between black through to white on the exterior and vice versa on the interior presenting the dilemas facing us in the 21C. Originally made for the Arts in Romney Marsh festival 2013.

Hand modelled and slip-cast porcelain plate blanks awaiting digital onglaze transfer printing and firing. Made for the 'savage' and 'dodo ware' labels. 2013 -

A series of slab built ceramic/ironstone boxes intentionally warped to create a subtle counter rhythm to the rigid box forms. Painted with coloured vitreous slip/engobe with an alkaline egyptian blue glazed interior. Inspired by the temple perimeter walls at Madurai, etc. 2010. Private collection.

A series of slab built ceramic/ironstone boxes intentionally warped to create a subtle counter rhythm to the rigid box forms. Painted with coloured vitreous slip/engobe with an alkaline egyptian blue glazed interior. Inspired by the temple perimeter walls at Madurai, etc. 2010. Private collection.

Hammock moulded and slab/coiled ironstone with applied vitreous white slip, oxide, glaze stain, underglaze and underglaze pencil. Inspired by the landscape of the south downs. 2011. Private collection.

Hammock moulded and slab/coiled ironstone with applied vitreous white slip, oxide, glaze stain, underglaze and underglaze pencil. Inspired by the landscape and history of the south downs. 2011. Private collection.

Hammock moulded and slab/coiled ironstone with applied vitreous white slip, oxide, glaze stain, underglaze and underglaze pencil. Inspired by the landscape and history of the south downs. 2011. Private collection.

Hammock moulded and slab/coiled ironstone with applied vitreous white slip, oxide, glaze stain, underglaze and underglaze pencil. Inspired by the landscape and history of the south downs. 2011. Private collection.

Hammock moulded and slab/coiled ironstone with applied vitreous white slip, oxide, glaze stain, underglaze and underglaze pencil. Inspired by the landscape and history of the south downs. 2011. Private collection.

A series of slab built ceramic/ironstone boxes intentionally warped to create a subtle counter rhythm to the rigid box forms. Painted with coloured vitreous slip/engobe with an alkaline egyptian blue glazed interior. Inspired by the temple perimeter walls at Madurai, etc. 2010. Private collection.

A series of slab built ceramic/ironstone boxes intentionally warped to create a subtle counter rhythm to the rigid box forms. Painted with coloured vitreous slip/engobe with an alkaline egyptian blue glazed interior. Inspired by the temple perimeter walls at Madurai, etc. 2010. Private collection.

Pinch coiled ironstone, with applied coloured vitreous slip. One of a series of flower-pots made for specific plants. 2009. Artists collection.

Pinched and slab/pinched glazed stoneware bowl/dish. Based on micro organisms/fossils from the sea. Made after seeing 'Earth Story' and relating directly to other work looking at anemones, polyps, coral, symbiosis, etc. One of a series/edition. 2009. Private collection.

Coiled ironstone with painted iron, copper and cobalt oxide and vitreous white slip. Inspired by the Cuckmere valley, the profile of neolithic knapped flint tools, and the ancient and mysterious 'celtic' stones at Margam Abbey Museum, Skellig Michael, and elsewhere. Interior glazed with earthenware transparent green lead glaze(a reference to the traditional lead glaze used by Sussex/country potters). Shown at Rye Art Gallery. 2001. Collection Rye Art Gallery.

Coiled ironstone with painted iron, copper and cobalt oxide and vitreous white slip. Inspired by the Cuckmere valley, the profile of neolithic knapped flint tools, and the ancient and mysterious 'celtic' stones at Margam Abbey Museum, Skellig Michael, and elsewhere. Interior glazed with earthenware transparent green lead glaze(a reference to the traditional lead glaze used by Sussex/country potters). Shown at Rye Art Gallery. 2001. Private collection.

Coiled ironstone with painted iron,copper and cobalt oxide and vitreous white slip. Interior glazed with earthenware transparent green lead glaze(a reference to the fertility of the Cuckmere River and to the traditional lead glaze used by Sussex/country potters). Based on the almost round flints found on the beach at Cuckmere Haven. Shown at Rye Art Gallery. 2001. Private collection.

Coiled ironstone with painted iron,copper and cobalt oxide and vitreous white slip. Interior glazed with earthenware transparent green lead glaze(a reference to the fertility of the Cuckmere River and to the traditional lead glaze used by Sussex/country potters). Based on the almost round flints found on the beach at Cuckmere Haven. Shown at Rye Art Gallery. 2001. Private collection.

Coiled ironstone with painted iron,copper and cobalt oxide and vitreous white slip. Interior glazed with earthenware transparent green lead glaze(a reference to the fertility of the Cuckmere River and to the traditional lead glaze used by Sussex/country potters). Based on the almost round flints found on the beach at Cuckmere Haven. Shown at Rye Art Gallery. 2001. Private collection.

A series/edition of small slip-cast bone china/porcelain jars/vases for small flowers inspired by neolithic flint tools. Interiors with transparent,pale yellow or grey stoneware glaze. 2010. Various collections.

A series/edition of small slip-cast bone china/porcelain jars/vases for small flowers inspired by neolithic flint tools. Interiors with transparent,pale yellow or grey stoneware glaze. 2010. Various collections.

Pinch coiled ironstone, with applied coloured vitreous slip. One of a series of flower-pots made for specific plants. 2009. Artists collection.

Pinch/coiled ironstone with applied coloured vitreous slip/oxide. Interior alkaline egyptian blue earthenware glaze. Inspired by Dogon art/architecture and Orion mythology and the mud/adobe buildings/mosques(Djenne, Timbuktu, etc), of western Africa, etc. Dogon drawings of the Orion/Sirius star system often incorporate flower-like images of stars. Also relates to other work which incorporates imagery relating to the sea(anemones, star-fish, coral, hydrothermal vents, etc). 2009. Shown at Rye Art Gallery. Private collection.

Pinch/coiled ironstone with applied coloured vitreous slip/oxide. Interior alkaline egyptian blue earthenware glaze. Inspired by Dogon art/architecture and Orion mythology and the mud/adobe buildings/mosques(Djenne, Timbuktu, etc), of western Africa, etc. Dogon drawings of the Orion/Sirius star system often incorporate flower-like images of stars. Also relates to other work which incorporates imagery relating to the sea(anemones, star-fish, coral, hydrothermal vents, etc). 2009. Shown at Rye Art Gallery. Private collection.

Pinch/coiled ironstone with applied coloured vitreous slip/oxide. Interior alkaline egyptian blue earthenware glaze. Inspired by Dogon art/architecture and Orion mythology and the mud/adobe buildings/mosques(Djenne, Timbuktu, etc), of western Africa, etc. Dogon drawings of the Orion/Sirius star system often incorporate flower-like images of stars. Also relates to other work which incorporates imagery relating to the sea(anemones, star-fish, coral, hydrothermal vents, etc). 2009. Shown at Rye Art Gallery. Private collection.

Pinch/coiled ironstone with applied coloured vitreous slip/oxide. Interior alkaline egyptian blue earthenware glaze. Inspired by Dogon art/architecture and Orion mythology and the mud/adobe buildings/mosques(Djenne, Timbuktu, etc), of western Africa, etc. Dogon drawings of the Orion/Sirius star system often incorporate flower-like images of stars. Also relates to other work which incorporates imagery relating to the sea(anemones, star-fish, coral, hydrothermal vents, etc). 2009. Shown at Rye Art Gallery. Private collection.

Pinch coiled ironstone, applied coloured vitreous slip and alkaline Egyptian blue glazed interior. I arrived at this after being asked to make pieces about India. This explores ideas about the infinity and the universe through the use of a torus(which has recently been proposed as a geometric form which may describe the actual shape of a universe, through which it possible to travel infinitely). It seemed a reasonable way of physically trying to express the idea of 'Mandala'. 2008. Shown at Rye Art Gallery. Private collection.

A series/edition of small slip-cast bone china/porcelain jars/vases for small flowers inspired by neolithic flint tools. Interiors with transparent,pale yellow or grey stoneware glaze. 2010. Various collections.

Pinch/coiled ironstone with applied coloured vitreous slip/oxide. Interior alkaline egyptian blue earthenware glaze. Inspired by Dogon art/architecture and Orion mythology and the mud/adobe buildings/mosques(Djenne, Timbuktu, etc), of western Africa, etc. Dogon drawings of the Orion/Sirius star system often incorporate flower-like images of stars. Also relates to other work which incorporates imagery relating to the sea(anemones, star-fish, coral, hydrothermal vents, etc). 2009. Shown at Rye Art Gallery. Private collection.

Press moulded ironstone, applied vitreous slip, stain,and underglaze. Interior Egyptian blue earthenware glaze. At the foot of the pyramids archaeologists have found the remains of several great boats which reminded me of the wind eroded shape of the sphynx. This in turn reminded me of the aerofoil section of aircraft wings, submarine conning towers, felucca sails, etc. The painting describes the traverse of the sun from night into day, light into dark and back. 2007-8. Shown at Rye Art Gallery. Private collection.

Hammock moulded and incised ironstone with applied vitreous white slip, oxide, glaze stain, and underglaze colour, etc. Based upon drawings made at Birling gap and Cuckmere Haven incorporating elements of ancient/prehistoric/neolithic landscape, the passing and ephemeral, etc, and expressing a fascination with the edges of things eg; canvases/paintings, existence, knowledge, history/prehistory, etc. 2003. First shown at Brewery Arts Cirencester. Private collection.

Hammock moulded and incised ironstone with applied vitreous white slip, oxide, glaze stain, and underglaze colour, etc. Based upon drawings made at Birling gap and Cuckmere Haven incorporating elements of ancient/prehistoric/neolithic landscape, the passing and ephemeral, etc, and expressing a fascination with the edges of things eg; canvases/paintings, existence, knowledge, history/prehistory, etc. 2004. Shown at Rye Art Gallery. Private collection.

Hammock moulded, extruded, and incised ironstone with applied vitreous white slip, oxide, glaze stain, and underglaze colour, etc. Based upon drawings made at Birling gap and Cuckmere Haven incorporating elements of ancient/prehistoric/neolithic landscape, fossils, micro-organisms, plankton, etc. 2006. Artists collection.

Press moulded ironstone, applied vitreous slip, stain,and underglaze. Interior Egyptian blue earthenware glaze. At the foot of the pyramids archaeologists have found the remains of several great boats which reminded me of the wind eroded shape of the sphynx. This in turn reminded me of the aerofoil section of aircraft wings, submarine conning towers, felucca sails, etc. The painting describes the traverse of the sun from night into day, light into dark and back. 2007-8. Shown at Rye Art Gallery. Private collection.

Press moulded ironstone, applied vitreous slip, stain,and underglaze. Interior Egyptian blue earthenware glaze. At the foot of the pyramids archaeologists have found the remains of several great boats which reminded me of the wind eroded shape of the sphynx. This in turn reminded me of the aerofoil section of aircraft wings, submarine conning towers, felucca sails, etc. The painting describes the traverse of the sun from night into day, light into dark and back. 2007-8. Shown at Rye Art Gallery. Private collection.

A series/edition of small slip-cast bone china/porcelain jars/vases for small flowers inspired by neolithic flint tools. Interiors with transparent, pale yellow, green or grey stoneware glaze. 2009. Various collections.

Press moulded ironstone, applied vitreous slip, stain,and underglaze. Interior Egyptian blue earthenware glaze. At the foot of the pyramids archaeologists have found the remains of several great boats which reminded me of the wind eroded shape of the sphynx. This in turn reminded me of the aerofoil section of aircraft wings, submarine conning towers, felucca sails, etc. The painting describes the traverse of the sun from night into day, light into dark and back. 2007-8. Shown at Rye Art Gallery. Private collection.

Press moulded ironstone, applied vitreous slip, stain,and underglaze. Interior Egyptian blue earthenware glaze. At the foot of the pyramids archaeologists have found the remains of several great boats which reminded me of the wind eroded shape of the sphynx. This in turn reminded me of the aerofoil section of aircraft wings, submarine conning towers, felucca sails, etc. The painting describes the traverse of the sun from night into day, light into dark and back. 2007-8. Shown at Rye Art Gallery. Private collection.

Press moulded ironstone, applied vitreous slip, stain,and underglaze. Interior Egyptian blue earthenware glaze. At the foot of the pyramids archaeologists have found the remains of several great boats which reminded me of the wind eroded shape of the sphynx. This in turn reminded me of the aerofoil section of aircraft wings, submarine conning towers, felucca sails, etc. The painting describes the traverse of the sun from night into day, light into dark and back. 2007-8. Shown at Rye Art Gallery. Private collection.

Hammock moulded and incised ironstone with applied vitreous white slip, oxide, glaze stain, and underglaze colour, etc. Based upon drawings made at Birling gap and Cuckmere Haven incorporating elements of ancient/prehistoric/neolithic landscape, the passing and ephemeral, etc, and expressing a fascination with the edges of things eg; canvases/paintings, existence, knowledge, history/prehistory, etc. 2003. First shown at Brewery Arts Cirencester. Private collection.

Part of an edition of ten. Press moulded, raku fired, architectural body with applied copper/manganese lustre.. Interior glazed with transparent raku crackle glaze. Based on the almost round flints found on the beach at Cuckmere Haven and pod/seed-like forms. Shown at Rye Art Gallery. 2003. Private collection.

Part of an edition of ten. Press moulded ironstone with painted copper oxide and vitreous white slip. Interior glazed with earthenware transparent green lead glaze(a reference to the fertility of the Cuckmere River and to the traditional lead glaze used by Sussex/country potters). Based on the almost round flints found on the beach at Cuckmere Haven and pod/seed-like forms. Shown at Rye Art Gallery. 2002. Private collection.

Coiled ironstone with painted iron,copper and cobalt oxide and vitreous white slip. Interior glazed with earthenware transparent green lead glaze(a reference to the fertility of the Cuckmere River and to the traditional lead glaze used by Sussex/country potters). Based on the almost round flints found on the beach at Cuckmere Haven. Shown at Rye Art Gallery. 2001. Private collection.

Hammock moulded and incised ironstone with applied vitreous white slip, oxide, glaze stain, and underglaze colour, etc. Based upon drawings made at Birling gap and Cuckmere Haven incorporating elements of ancient/prehistoric/neolithic landscape, etc, and expressing a fascination with the edges of things eg; canvases/paintings, existence, knowledge, history/prehistory, etc. 1999. First shown at Brighton Festival Open Houses. Private collection.

Coiled ironstone. Inspired by the Cuckmere valley, the profile of neolithic knapped flint tools, and the ancient and mysterious 'celtic' stones at Margam Abbey Museum, Skellig Michael, and elsewhere. Shown at Rye Art Gallery. 2001. Private/Rye Art Gallery collection.

Hammock moulded and incised ironstone with applied vitreous white slip, oxide, glaze stain, and underglaze colour, etc. Based upon drawings made at Birling gap and Cuckmere Haven incorporating elements of ancient/prehistoric/neolithic landscape, etc, and expressing a fascination with the edges of things eg; canvases/paintings, existence, knowledge, history/prehistory, etc. 1998. First shown at Brighton Festival Open Houses. Private collection.

Coiled ironstone with painted iron, copper and cobalt oxide and vitreous white slip. Inspired by the Cuckmere valley, the profile of neolithic knapped flint tools, and the ancient and mysterious 'celtic' stones at Margam Abbey Museum, Skellig Michael, and elsewhere. Interior glazed with earthenware transparent green lead glaze(a reference to the traditional lead glaze used by Sussex/country potters). First shown at Rye Art Gallery. 1998. Hove Museum and Art Gallery Collection.

Hammock moulded and incised ironstone with applied vitreous white slip, oxide, glaze stain, and underglaze colour, etc. Based upon drawings made at Birling gap and Cuckmere Haven incorporating elements of ancient/prehistoric/neolithic landscape, the passing and ephemeral, etc, and expressing a fascination with the edges of things eg; canvasses/paintings, existence, knowledge, history/prehistory, etc. 1997. First shown at Rye Art Gallery. Private collection.

Press moulded ironstone, vitreous white slip, oxide and cornflower blue matt earthenware glaze. Exploring the idea of using repeated actions to create an image and the reversal created between interior/exterior through the use of colour. One of a series of three. 1990. Shown at Hastings Museum and Art Gallery. Private collection.

One of a series. Modified press moulded and extruded ironstone, vitreous white slip, oxide and underglaze colour. Based upon drawings made at Birling Gap and Cuckmere Haven incorporating elements of ancient/prehistoric/neolithic landscape. 1991. Shown at Hastings Museum and Art Gallery. Private collection.

Thrown, turned and extruded porcelain, fired sharp sand, lavender oil, green stoneware glaze, wood and metal. these look at differing attitudes to the planet - as an open bowl form to take from or a stoppered bottle containing something precious to use carefully. 1991. Private collection.

Final two from a large series of thrown and turned raku bowls based upon the rings of saturn. Each with copper/manganese/cobalt lustre and white crackle glaze. 1992. Shown at Rye art gallery. Private collections.

A series/edition of small slip-cast bone china/porcelain jars/vases for small flowers inspired by neolithic flint tools. Interiors with transparent, grey/green stoneware glaze. 2003. Various collections.

Slab built and extruded ironstone with applied vitreous white slip, oxide and underglaze colour. Inspired by the Cuckmere valley, the profile of neolithic knapped flint tools, and the ancient and mysterious 'celtic' stones at Margam Abbey Museum, Skellig Michael, and elsewhere. Interior glazed with earthenware transparent green lead glaze(a reference to the traditional lead glaze used by Sussex/country potters). One of a series. 1994 Shown at Rye Art Gallery. Private collection.

A series/edition of small slip-cast bone china/porcelain jars/vases for small flowers inspired by neolithic flint tools. Interiors with transparent pale yellow stoneware glaze. 2005. Various collections.

Free thrown and turned raku body. Pale amber and white crackle glaze. One of a series. Private collection. 1996.

Hammock moulded and incised ironstone with applied vitreous white slip, oxide, glaze stain, and underglaze colour, etc. Based upon drawings made at Birling gap and Cuckmere Haven incorporating elements of ancient/prehistoric/neolithic landscape, the passing and ephemeral, etc, and expressing a fascination with the edges of things eg; canvasses/paintings, existence, knowledge, history/prehistory, etc. 1997. First shown at Rye Art Gallery. Private collection.

Ceramic, wood, and modified 'found' objects (rubber ball, bottle stopper, metal can, etc). Inspired by the relationships between organisms living in the sea as a metaphor for cultural structures. 1989. Shown at Hastings Museum and Art Gallery. Private collection.

Slab built ironstone, paint brush, wood, etc. The starting point for images of 'iconic' English landscape. 1988. Shown at Hastings Museum and Art Gallery. Private collection.

Modified double skinned press moulded bowl, thrown and turned base, vitreous white slip, oxide and underglaze colour. Ironstone. One of a series. 1987. Shown at Hastings Museum and Art Gallery. Private collection.

Slab built and assembled,'T' material, porcelain, and bone china, raku, wood, etc. Based upon the idea of an archaeological reconstruction from fragmented material. 1984. Shown at Exeter School of Art, Gallery, Exeter. Private collection.

Press moulded, raku fired 'T' material, porcelain, alkaline Egyptian blue glazed interior. Based upon 'Hopi' indian beadwork/ceramics. Part of an edition of ten. 1984. Shown at Hastings Museum and Art Gallery. Private collection.

Press moulded, raku fired 'T' material, porcelain, alkaline white crackle glazed interior. Based upon 'Hopi' indian beadwork/ceramics. Part of an edition of ten. 1984. Shown at Hastings Museum and Art Gallery. Private collection.

Slab built and assembled,'T' material, porcelain, melamine, wood, etc. Based upon the idea of an archaeological reconstruction from fragmented material. 1984. Shown at Exeter School of Art, Gallery, Exeter. Private collection.

Slip cast bone china, paper, coloured pencil, paint, etc. Based upon architectural reconstruction and how 'things' have different levels of 'permanence'. 1983. Shown at Rye Art Gallery. Private collection.

Thrown, turned and slab built 'T' material. Raku fired pale pink and white crackle glaze. The first piece I made with a rounded bottom. A response to the work of Anthony Caro. Part of a series. Shown at Rye Art Gallery. Private collection.

Thrown and turned earthenware with sgraffito drawing of a puffer fish under a white tin glaze. 1973. Shown at Suffolk Crafts Society, Aldeburgh. Private collection.

Press moulded and modified 'T' material. Inspired by dolmens/cromlechs and in particular Pentre Ifan in Pembokeshire. 1976. Shown at CSAD. Unknown location.

Slip cast and slab built white earthenware with airbrushed and transfer printed onglaze enamel. This was made as a small table sculpture/executive toy and was inspired by 'Dark Side of the Moon'. 1976. Shown at CSAD. Private collection.

Raku fired, slip cast white earthenware with stained alkaline crackle glaze. 1978. Private collections.

Slip-cast buff/red earthenware, glazed or burnished and polished. Based upon the head and shoulders of an assassin bug. Three from a series of ten. 1982. Shown at Anatol Orient. Private collections.

Raku fired, press moulded 'T' material with stained inlay and alkaline Egyptian blue glaze. This piece was intended to look like a burnt out satellite after re-entry. It has a rounded underside - to look like a heat shield, inlaid diamond pattern - solar cells, and small rocket motors. One of a series. 1980. Shown at Rye Art Gallery. Private collection.

Slip cast bone china, paper, coloured pencil, paint, etc. Based upon architectural reconstruction and how 'things' have different levels of 'permanence'. 1983. Shown at Rye Art Gallery. Private collection.